Editorial TeamFrom grunge-fuelled riffs and art-punk chaos to delicate folk ballads and psychedelic pop, this new Don’t Miss Them edition once again proves that great music refuses to stay in one lane. We’ve gathered artists from Ireland, Canada, Switzerland and beyond, mixing established names with exciting newcomers. Whether you’re after something loud, thoughtful or simply impossible to get out of your head, there’s plenty here waiting to become your next favourite song.
“Cha Cha Slide” by Getdown Services
Getdown Services are back with their signature chill take on classic dance track “Cha Cha Slide”. Previously known as a kids party track, it has been transformed and melloed out into a hangover-soothing low-fi alt rock song. Imagine floating on a lazy river with a beer, that’s the new cha cha slide.
Lyrically the song focuses on being a child again and the casualness of the vocal delivery reflects the simplicity of a child’s mind. This is the last single ahead of their album release 14th August. If you’re heading down to Alltogether Now next week, be sure to catch these guys on the Sunday at 4pm.
“Mock City Rock” by Mock Media
Canadian art-punk quartet Mock Media introduce their new album Rat Bastard with the infectious “Mock City Rock”. Hailing from British Columbia’s North Okanagan, the band blend punk energy with sharp hooks and a welcome sense of humour. The result is a sound that feels both familiar and refreshingly original.
“Mock City Rock” is impossible to resist. A driving rhythm keeps the momentum high, while punchy guitars and catchy melodies make it instantly memorable. There is a clear Two Tone influence throughout, and the punk swagger often recalls the early days of The Clash. It is a thrilling introduction to an album that promises plenty of colour, energy and attitude.
“No Kids” by Sonic Train
Swiss newcomers Sonic Train continue to impress with “No Kids”, the latest preview of their debut album due in September. Formed in Geneva by former members of Malavida, the five-piece blend modern alternative rock with strong melodic instincts and an ear for dynamic arrangements.
The song opens with a few jangly piano chords and an irresistible melody. It takes its time to unfold. Stomping drums gradually take control, while fuzzy guitars and layers of synths add weight and texture. The result is both melodic and powerful. It is an exciting slow burner that shows why Sonic Train are a band worth keeping an eye on.
“Free”, by Headsend
Headsend tap into the spirit of ’90s grunge with remarkable conviction. “Free” opens with the kind of raw, abrasive energy that immediately recalls Nirvana, before expanding into a heavier, modern sound driven by muscular riffs and explosive dynamics. It’s familiar territory, but the trio play it with enough conviction to make it feel fresh rather than nostalgic.
Recorded live in the studio with producer Nick DiDia, Free captures the band’s reputation as a formidable live act. Urgent, loud and unapologetically direct, it offers an enticing preview of an EP that should appeal to anyone still craving the visceral thrill of grunge at full volume.
“Sorry Mister”, by The Disgusting Sisters
Equal parts punk attitude and electro-pop energy, “Sorry Mister” is a brilliantly infectious anthem that never takes itself too seriously. Packed with sharp hooks and danceable beats, the song follows the all-too-familiar tale of an overconfident man. With a lot delicious humour, The Disgusting Sisters tell how he is trying far too hard to impress.
Behind its playful humour lies a pointed message about unwanted advances and the freedom to stop apologising for rejecting them. Witty, catchy and gloriously irreverent, Disgusting Sisters deliver a track that’s as empowering as it is impossible not to dance to.
“Crypto” by Mike D
Mike D of the Beastie Boys is back with his solo project. After vowing never to perform as the Beastie Boys after the death of Adam Yuach (MCA), Mike D releases his single “Crypto” off his upcoming album Thank You on August 28th.
Avant-garde, dynamic and completely different to previous Beastie Boys works. The songs blends break beats, muffled vocals unconventional synths to deliver one of the most interesting songs I’ve heard in a while. Lyrically the song calls out the greed of those earning unimaginable amouns from trading and cryptocurrency. The single echoes the sound of numerous artists such as Sleaford Mods mixed with a a grimey hip hop beat.
It’s just like Mike D to call things as they are. A refreshing new single from an longstanding artist makes me very excited for the upcoming album.
“Tonight” by Undivided Attention
Limerick band Undivided Attention stunned the crowd at Wickham back in May. Performing “Tonight” for the first time. An unreleased song from their upcoming album. A perfect pop-rock song to scream along to with a blend of rage and yearning. A blend of upbeat energy and excitement powered by the guitar and bass, matched with the powerful vocals.
With the focus on living in the moment and “tonight”, rather than hopelessly worrying about the past or future. The optimistic meaning mixed with the pop-rock elements makes this the perfect Summer song for when the listener has so much built-up energy.
The only currently available version was recorded in The Wickham with an electric crowd. The performance of “Tonight” was incredibly interactive, with the lead vocalist coming into the crowd and dancing while performing.
“Isn’t He Funny?” by Big Red
“Isn’t He Funny?” starts as a gentle indie ballad with subtle folk textures. Delicate guitars and restrained vocals create an almost intimate atmosphere. Then everything changes. The song erupts into a saturated wall of sound, landing somewhere between shoegaze, and noisy indie rock.
That shift never feels gimmicky. Instead, it mirrors the song’s growing emotional tension. Joseph Scarisbrick slowly lets the pressure build before releasing it in spectacular fashion. It is an impressive debut. Big Red already sound like a band with a clear identity and plenty more to offer. Encouraging debut!
“On Wires” by Carly Rae Jepsen
Carly Rae Jepsen is back with her new track “On Wires” . It’s been 4 years since CRJ’s last album, The Loneliest Time which did have a 2023 B Side which has become the norm for Carly Rae at this point.
“On Wires“ brings Carly Rae back into the psychedelic pop fray that she explored more heavily on the B Side to The Loneliest Time, The Loveliest Time. “On Wires” is a lush, funk inspired track that sounds like something Tame Impala would be all over once upon a time. A fun, sensual and fresh track that allows Carly Rae to show off her versatility.
“Papillon” by Doalnepo
A slower melodic song opening with a beautiful piano track before Doalnepo‘s angelic vocals begin to play over the track. “Papillon” is the title-track from Doalnepo’s debut album released in July 2026. A digital album available on Bandcamp. The song is sung entirely in French. A beautiful mixture of folk and pop with a comforting sound. “Papillon” has moving lyrics written by Doalnepo, with a fear of being oneself and a desire to see oneself through the eyes of their loved ones.
“Still I Love Him”, by Radie Peat
Some traditional songs invite lavish arrangements. Radie Peat chooses the opposite approach. Her interpretation of “Still I Love Him” unfolds at an unhurried pace, built around gently strummed guitar, shimmering textures and beautifully layered vocal harmonies, with sustained vocal drones adding a haunting depth. The restraint only amplifies the song’s emotional weight.
Originally unearthed in the Irish Traditional Music Archives by John Francis Flynn, this version finds new life through Peat’s remarkable contralto. It’s a subtle yet powerful performance, proving that sometimes the quietest arrangements carry the greatest emotional force.
“My Traits” by Patrick Jade
Patrick Jade delivers a raw slice of blues-infused songwriting with “My Traits”. His gritty, saturated vocals immediately grab the attention. They sit perfectly alongside an acoustic arrangement that draws from folk and classic blues traditions.
The song reflects on growing older and wondering whether dreams have slipped away. Yet it never feels defeated. Jade balances self-doubt with quiet determination, giving the lyrics an uplifting edge. There is nothing flashy here. Instead, “My Traits” relies on honest storytelling and an authentic performance. Sometimes, that is all a good song needs.
“A Mark On You”, by Good Swim
Good Swim returns with “A Mark On You”, a beautifully understated folk ballad where every note serves the song. Warm acoustic textures, delicate pedal steel and subtle electric guitar create an organic soundscape that lets the emotion breathe without ever becoming overbearing.
Written around the lasting impact of trauma and the difficult path towards acceptance, the song carries a quiet sadness that feels deeply authentic. Dave McConnell’s restrained delivery makes every line resonate, proving that vulnerability doesn’t need grand gestures to leave a lasting impression.
“That Was That”, by Galia Arad
Galia Arad turns heartbreak into an affecting pop ballad with “That Was That”. Built around understated verses before opening into soaring, emotionally charged choruses, the song captures the pain of losing someone who once felt like a safe haven.
Co-produced by Ruadhri Cushnan, the arrangement grows naturally without overwhelming the storytelling, allowing Arad’s expressive vocals to take centre stage. Balancing pop polish with an indie-folk sensibility, “That Was That” is a sincere and elegantly crafted song that lingers long after its final note.
“The Hardest Part” by Reevah
Reevah continues to edge towards a country-tinged pop sound without fully embracing the genre. “The Hardest Part” is a warm, understated ballad built around soaring melodies, subtle slide guitar and a chorus that lingers long after it ends. Fans of CMAT or Olivia Dean will recognise the same effortless blend of sincerity and melodic charm.
Lyrically, the song reflects on the challenge of balancing artistic ambition with motherhood and the pressures of today’s music industry. Yet despite its introspective subject matter, “The Hardest Part” remains quietly uplifting, carried by an elegant arrangement that lets Reevah’s voice and songwriting shine.
