Editorial TeamAnother month, another stack of songs we could not stop returning to. From the biting humour of Really Good Time to the quiet warmth of Sorcha Richardson and Lambchop, Don’t Miss Them Vol. 7 moves between genres, moods, and countries with ease. As always, the goal remains the same: spotlighting artists, new releases, and hidden gems that deserve a little more attention.
“Colère”, by Astéréotypie
Astéréotypie is no ordinary band. Hailing from Bourg-la-Reine in France, the collective started from a creative writing workshop led by special needs educators Christophe L’Huillier and Claire Mahé with neurodivergent kids. Also guitarist, L’Huillier offered to form a band with the young writers and invited Arthur B. Gillette (guitar), Eric Tafani (drums) and Benoit Guivarch (keyboards) to accompany them. Claire Ottaway, Yohann Goetzmann, Stanislas Carmont and Aurélien Lobjoit then started performing their texts, coming to life with a post-punk instrumentation. Their spoken words hit hard and true, sometimes tackling serious subjects, sometimes witty and poetic. “Colére” (meaning “Anger”) written and performed by Stanislas is one of the earliest track recorded by the band. It reflects on other people’s stare and judgement over neurodivergent behaviour. Strongly recommended.
“Freeloaded (cool kitten),” by The Love Buzz
The Love Buzz had already caught our attention last year following a small gig in Steamboat Records. With their riotous EP No Different, they were firmly on our radar as one of Ireland’s most exciting rising rock acts. The Love Buzz’s exciting sound blends the spirit of ’90s alt-rock with the swagger of the garage-rock revival. The Cork outfit have continued to build momentum through relentless live shows and their infectious, high-energy social media presence. Now, with a brand-new single released last month, it feels like the perfect time to check back in and see where The Love Buzz are heading next. Personally, I can’t wait for their debut album.
“Lutins”, by ARH
French brutal math-rock outfit ARH return with a digital reissue of their debut album Singeries. Blending metal intensity with math-rock precision and progressive twists, the band have spent years refining a sound built for impact. But ARH see live performance as the real destination. Their music is created to energise the crowd and share a powerful moment together. As they so elegantly put it : “ARH’s music is built for the stage first. The album is its blueprint.” If Singeries is only the blueprint, then it feels like a dense and groove-heavy introduction to the exciting chaos waiting on stage.
“Small Talk”, by Foot Squeaker
Hailing from Wexford, Foot Squeaker have steadily carved out a name for themselves through a string of standalone singles and an evolving live reputation. Now, after years of honing their sound, the alt/indie trio have finally unveiled their debut EP ARC EYE. Across the record, Foot Squeaker deliver a thrilling blend of rock ’n’ roll energy, driven by groovy, prominent basslines, slow-burning guitars, and rolling drums. It’s a rich and immersive listen that suggests the band are only just getting started.
“It All Leads Back To You”, by Dark Tropics
Irish pop-noir duo Dark Tropics return with “It All Leads Back To You”, a deeply poignant piano ballad centred on heartbreak, regret, and the emotional fallout of a failed engagement. Trading their usual cinematic atmosphere for something stripped-back and intimate, the duo deliver one of their most vulnerable releases yet. Deeply personal and emotionally raw, the song reportedly left singer Rio in tears during the final vocal take. The emotion is impossible to ignore, both for the listener and the singer herself.
“Grenadine”, By Sorcha Richardson
After more than a year away, Dublin singer-songwriter Sorcha Richardson returns with Grenadine, a warm and slow-burning new single. Built around gentle guitars and subtle organ textures, the track carries an understated emotional weight, allowing Richardson’s introspective songwriting to take centre stage. Tender yet quietly devastating, “Grenadine” explores moments of doubt and emotional drift with a softness that lingers long after the song ends. A really nice return for Richardson who should come back with more over the course of the year.
“Do It”, by Really Good Time
Dublin trio Really Good Time release their new single “Do It,” a tense and razor-sharp new single taken from their debut album Affirmations, due on 7 August. Driven by motorik guitars and relentless rhythms, the track balances nervous energy with biting humour. Lyrically, “Do It” taps into the frustration of modern Irish life, from shifting goalposts to housing anxiety, without losing its sense of absurdity. Urgent, punchy, and built to explode live, it offers a compelling taste of a debut record shaped by anger, anxiety, and defiant wit.
“Song For The Messenger“, by Channel Beads
Ahead of the release of Your Day Will Come on 26 June, Chanel Beads returns with Song for the Messenger, a slow-burning and quietly captivating new single. Wrapped in hazy textures and delicate melodies, the track carries a dreamlike quality while revealing the emotional uncertainty at the heart of Shane Lavers’ songwriting. It offers an intriguing first step into an album shaped by doubt, memory, and self-reflection.
“Weakened”, by Lambchop
Nearly four years after their last album, Lambchop return with “Weakened“, the first taste of forthcoming album Punching The Clown, due on 21 August. Warm, grounded, and gently bluesy, the track leans into acoustic arrangements and rich harmonies that give it an easy, lived-in feel. Frontman Kurt Wagner lets the song unfold at its own pace, creating something intimate and quietly reassuring. Weakened offers a beautiful reminder of Lambchop’s ability to make understated music feel deeply moving.
“Streets Of Love”, by Gráinne Duffy
Irish blues-rock artist Gráinne Duffy offers a gentler moment on “Streets of Love”, taken from her upcoming album What Am I Supposed To Do?, out this Friday. Warm, bluesy, and easy-going, the track unfolds with a relaxed charm. Inspired by moments observed during a bike ride through Amsterdam, Streets of Love carries a sense of quiet reflection and human connection. It also provides a softer counterpoint to the heavier emotions found elsewhere on the record.
“The Weak”, by Iceage
With For Love of Grace & the Hereafter arriving on 29 May, Iceage have shared “The Weak“, a restless and energetic new single that surges forward with urgency. Built around jittery guitars and sudden bursts of release, the track captures the band at their most immediate and instinctive. Raw but tightly wound, The Weak balances tension with melody while offering another thrilling glimpse into Iceage’s first album in five years.
“Loose Change”, by Dice
Australian indie outfit DICE continue the build-up to their second album I Thought The Altitude Would Make It Worth The View, due on 31 July, with the uplifting new single Loose Change. Bright, energetic, and full of momentum, the track leans into the band’s sun-soaked indie sound. Its message is simple but effective: take risks and trust yourself. Carried by infectious energy and a carefree spirit, Loose Change feels made for open roads, warm evenings, and fresh starts. It offers another promising glimpse into DICE’s more expansive new era.
“I wait, I sink”, by The Healing Power of Horses
Cambridge duo The Healing Power of Horses make a striking introduction with i wait, i sink, their first release since signing to section1. Strange, restless, and difficult to pin down, the track moves through rattling rhythms and hazy textures before opening into something bigger and more immersive. There is a raw, late-night energy running through i wait, i sink, giving the song an unpredictable charm. It feels like the sound of a band happily following instinct rather than rules.
“Take What You Can“, by Reevah
Derry indie-pop artist Reevah returns with “Take What You Can”, an impassioned new single that opens a fresh chapter following her acclaimed debut album Daylight Savings. Blending heartfelt pop with gentle country influences, the track pairs warm melodies with emotional honesty. Pedal steel guitar adds a soft glow to the song, while Reevah’s understated vocals carry themes of trust, betrayal, and resilience. “Take What You Can” eels both familiar and refreshed, offering an exciting glimpse into the sound and emotions shaping her upcoming second album.
“Endlessly”, by Son Lux
Following years spent composing acclaimed film scores, Son Lux return to album mode with “Endlessly”, the lead single from Out Into, due in September. Built on pulsing rhythms and expansive instrumentation, the track carries a sense of release while exploring ideas of identity and self-acceptance. More direct in its approach but still rooted in experimentation, “Endlessly” feels like an exciting first step into Son Lux’s next collection of songs.
