Editorial TeamThis month’s Hidden Track playlist dives deep into the freshest, most intriguing sounds from across Europe and beyond. From the neo-acoustic introspection of Munyamunya Plastic. and the lush, string-laden atmospheres of How I Became A Wave, to the bold electronic explorations of Lyterian and Whozyerman?, and the soulful elegance of Kat Eaton, these tracks showcase artists pushing boundaries while staying rooted in emotional honesty. Expect psychedelic flights with Pigeon, punk-fueled outrage from Dead Pioneers, and reflective alt-rock from Embrace—each song a story, a mood, and a moment waiting to be discovered.
“Black James Dean”, by Pigeon
Pigeon turn the spotlight on “Black James Dean,” a standout track from their upcoming debut album OUTTANATIONAL. Their music blends hypnotic krautrock rhythms, shimmering synths, and the band’s signature Afro-disco and punk-funk energy. The track melds introspection with kinetic drive. Vocalist Falle Nioke channels themes of identity and self-reinvention, weaving personal narrative into expansive, danceable arrangements. It’s a vivid snapshot of Pigeon’s sonic world. Playful, urgent, and unafraid to probe what it means to belong while keeping the groove firmly in motion.
“Cult Of Celebrity”, by Lambrini Girls
British punks Lambrini Girls return with their new single in over a year: the biting “Cult of Celebrity”. Phoebe Lunny and Selin Macieira take aim at the hypocrisy of the elite with razor-sharp lyrics and feral energy. Seven years into their partnership, the duo continue to channel their anarchic live intensity into record-breaking moments.
“No Kings”, by Dead Pioneers
Denver-based punk band Dead Pioneers are back with their first new music since 2025’s PO$T AMERICAN. Fronted by Indigenous artist Gregg Deal, the trio tackle authoritarianism, inequality, and social injustice head-on with their new single “No Kings”. The track is a raw, unflinching punk anthem with an infectious chanting chorus: “No Kings! No Masters!”
“集合住宅”, by むにゃむにゃプラスチック。
Japanese five-piece Munyamunya Plastic. presents the playful yet poignant “集合住宅” (“Condominium”) a track that blends neo-acoustic warmth with experimental flair. Written by Ronrenon after a conversation with synth player Ranju, the song explores how even things we love can turn toxic over time. The track’s airy melodies give way to a subtly chaotic outro. Intimate and refreshing.
“Sea Well”, by How I Became A Wave
Irish singer-songwriter Pat Carey introduces his self-titled debut project How I Became A Wave with the spellbinding single “Sea Swell”. Anchored by Carey’s intimate vocals and enriched with strings, pedal steel, and piano by Cormac McCarthy, the track exemplifies the album’s lush, textured soundscapes. “Sea Swell” sets the tone for an album that celebrates collaboration, vulnerability, and the quiet power of meticulously crafted, multidisciplinary artistry
“Stop”, by Embrace
Embrace return with “Stop”, the latest single from their ninth album Avalanche (out 12th June via Cooking Vinyl). The record sees the band embrace rawness, honesty, and life lived in the moment. Building on over three decades in the British music scene, the five-piece continue to blend emotionally charged songwriting with soaring melodies, exploring the tension between joy, vulnerability, and impermanence.
“Dopamine”, by Lyterian
Limerick trio Lyterian return with “Dopamine”. It is a bold leap into fully electronic territory that blends dark emotional intensity with polished, dance-infused production. Featuring hypnotic loops, cut-up vocal samples, and an intimate, almost claustrophobic texture, the track captures the rush and comedown of falling in love too fast. Produced alongside Gordon Raphael (The Strokes, The Libertines), Dopamine marks a striking evolution for the band. An evolution managed while keeping their signature atmospheric storytelling and raw emotional core at the heart of the sound.
“Better Left Unsaid”, by Kat Eaton
Welsh-born, Yorkshire-based soul and jazz artist Kat Eaton released “Better Left Unsaid”. The latest single from her upcoming third album What Happens Now (out 29th May), a song about the quiet acceptance of relationships beyond repair. The track highlights Eaton’s effortless ability to merge emotional clarity with her rich, expressive vocals. This new single builds on a career that has seen sold-out headline shows across Europe, collaborations with Caro Emerald and Ruby Turner, and over 10 million streams. “Better Left Unsaid” showcases Eaton’s continued evolution. It blends soul, jazz, blues and gospel into timeless yet contemporary songs that resonate long after the final note.
“Miles Away” by Whozyerman?
Whozyerman? presents “Miles Away”, a hazy, reflective alt-rock track that drifts between teenage nostalgia and present-day restlessness. Formerly of O Emperor, the Waterford artist continues to carve out a distinct solo path, blending kosmische textures with loose, melodic songwriting. “Miles Away” carries a laid-back, slightly off-kilter groov. But there’s a sharper edge beneath it, as themes of boredom, memory and disconnection surface. Released outside of Spotify as part of an ongoing boycott, it also underlines an artist willing to back his work with clear intent.
“Grazer”, by Ain’t
South London five-piece Ain’t released new single “Grazer” ahead of their upcoming EP How They Faked The Moon Landing. Following a strong 2025 that saw them build momentum across the UK live circuit and tastemaker press, the band continue to lean into a loose, guitar-driven sound shaped by 90s slacker indie and hazy dream pop. “Grazer” keeps things concise but textured, with warm, slurring guitars and understated hooks circling around a more reflective core. It reinforces Ain’t’s growing reputation as one of the more quietly distinctive new acts on the scene.
“Sentimental”, by Lizzie Reid
Glasgow songwriter Lizzie Reid presents “Sentimental”, a smouldering indie-pop cut released ahead of her upcoming EP Undoing (out April 17th). Reid is building on the quiet acclaim of her SAY (Scottish Album of the Year) nomination for Cubicle. She steadily rises alongside artists like Arlo Parks and John Cale, and continues to sharpen her voice through unfiltered, emotionally precise songwriting. “Sentimental” pairs a slinky, bass-driven groove with lyrics that wrestle with affection, restraint and self-awareness. It captures the moment where knowing when to step back becomes its own form of honest
“Walk of Shame”, by Cathal Fitz
Emerging Cork songwriter Cathal Fitz continues to build momentum with “Walk of Shame”, a stark, slow-burning pop-folk track that confronts addiction head-on. Still early into his career but already sharing stages with acts like Darren Kiely and Jerry Fish, Fitz is carving out a name through direct, emotionally clear songwriting. Here, he traces the loop of self-awareness, guilt and repetition that defines addiction, while holding onto the fragile idea of connection as a way through. The production stays understated, giving the song space to land without excess.
